Last Ocean Tide Lost in Sand

cover of Capricious #11

I’ve got a new story out: “Last Ocean Tide Lost in Sand” is available in Capricious #11! It features an aromantic family, a depressed spaceship and a magical fox all seeking a better life on a planet that’s un-terraforming into contagious, deadly sand. Every person is non-binary, there’s multiple sets of neopronouns, and it’s sort of Space Australia!

The kernel of this story is about a decade old and I was only able to finally figure out how to tie it all together in early 2018 when seeing Sword & Sonnet, so it’s really nice not only to have actually written it, but to have it published as well!

There is also an interview with me in this issue. I talk a bit about “Last Ocean Tide Lost in Sand” and a bit about some weird Australian animals.

Additionally, next month Sharp & Sugar Tooth is being released and you’ll find my short “Red, from the Heartwood” in it! There’s also an aromantic, non-binary family… but none of the other things! It’s set in modern day Perth and features arospec questioning, vegetarian cannibalism, polyamory with both a queerplatonic relationship and a romantic one, and weird apple stuff.

I meant to do a 2018 summary but I ended up too busy in December because I got top surgery!!! It went well and I’m really happy! Dealt with a lot of anxiety about Am I Queer Enough and Do I Deserve This and Can I Afford This, but the recovery so far has had some rough spots I have not for one single second regretted it. (Also I went back to full-time hours halfway through last year and that’s been a rough adjustment…)

meanwhile and far away

2017, huh? Okay, so. At the beginning of the year I quit my job because workplace conditions had repeatedly deteriorated to the point where my mental health was in a tailspin and dragging my physical health down with it. With no relief in workplace conditions and workload in sight, unable to reliably fill out job applications because my free time was occupied with being stressed out from this week’s workload and being stressed out thinking about next week’s workload, feeling constantly miserable and drifting towards… the bad end of depression… I quit. Luckily I had enough savings to weather several months of unemployment, and now I have a new job which I very much like and my co-workers are lovely and supportive and my manager isn’t toxic and I am not being overworked and underpaid! It’s nice and strange and good for me.

I’ve been trying to work on improving my mental and physical health this year. Reclaiming it, I suppose. De-stressing from that awful job, unlearning the unhealthy habits I formed trying to cope with the stress, forming better betters. It’s been going okay. It’s difficult sometimes, when you have mental illnesses and physical conditions that feed on each other to make you feel like shit, to work out what healthy is, what you can actually aim for, what you can actually achieve. When I look back on how I was this time last year versus now, though, I can see the difference in my life. I can see how far I’ve come, how much of me I’ve rediscovered. I still have ways to go—reading and writing is still very difficult, mental energy-wise—but I’m buoyed with my progress so far. …I think I say that every couple years and then I have a downslide so we’ll see what Terrible Stressful Things next year throws at me.

I’ve continued to delight in photography this year. I’ve had two weekend road trips down south. I’ve tried to see more of my friends. I’ve done 50% of my Pokemon blackwork sampler and I’ve made some embroidery pieces I’m really proud of, like this rainbow lorikeets once.

I sold a story I’ve been editing for what feels like forever, it was on its fifth or sixth revision and I’d actually trunked it. That is “Walking the Wall of Papered Peaces” and it’s going to appear in Capricious in 2018. It is a story I don’t think I would write now—about the insecurities between an asexual clockmaker and her non-asexual romantic partner—but I’ll go into that when it’s published.

“Kin, Painted” will be reprinted again, this time in Queerly Loving #2 by Queer Pack in 2018. (Queerly Loving #1 will be released very soon!)

And I also actually wrote a story this year, and sold it too: “Red, From the Heartwood” will be appearing in Sharp & Sugar Tooth: Women Up To No Good in 2018 or 2019. “Red…” features a dryad who works at Bunnings, her two partners, a light smattering of body horror and lots of apple desserts. There is a queerplatonic relationship between two arospec enbies, and a romantic relationship involving a queer woman. Given my dislike of when non-aro people write non-human aro characters and when non-NB people write non-human NB characters I think I will have some things to talk about when it comes time to talk about this story! I still can’t really believe that I wrote a whole short story. The last one I finished was “Kin, Painted” in early 2015. Since then I’ve had trouble just writing a single scene. But when I saw the theme and Octavia Cade’s name attached I was instantly inspired with the core idea (ha ha… apple pun). It was still a struggle to write and edit it inside three months, even though I was unemployed and it was only 5,000 words, but I did it and it was a huge accomplishment for me, and then even more amazingly Octavia accepted it! I can’t wait to share two new arospec characters with everyone, to talk about this story and to see what other stories are in the anthology.

Unfortunately I haven’t written much since “Red…” but I’ve been settling into my new job and routines and dealing with, uh, well let’s talk about that now. Last year I started binding occasionally, on the weekends sometimes with close friends. I started researching top surgery, not sure if I wanted it or not—not sure if I could even access top surgery here as a non-binary person not taking testosterone and not transitioning in other ways to masculinity. Binding made me happy, but sometimes I was indifferent to my breasts or mildly liked them rather than hating them, so I wasn’t sure whether I wanted to get top surgery and, if I did want to get surgery, would I still want to get top surgery if I had to fly interstate or overseas to get it. But then I put that all on hold when I decided to quit my job. Now it’s a year later, I’m employed again, my health is better than it was to boot, and I’ve started researching and thinking about top surgery again. If I like the surgeon I’ve booked a consultation with then I can get it done at home, and if not then I can go interstate. While I’m not 100% decided yet—hopefully the consultation will give me the answers I need to finally, fully, make that decision—I feel clearer in my feelings, though if I need to go over to Melbourne or Sydney I’ll have to consider whether the added expense and difficulty on top of all the other expenses and difficulties will still be worth it. I don’t mind if, after all of this, I decide I don’t want top surgery. But if that happens, I want to decide this because I want to keep my breasts, not because I’m too intimidated by the logistical difficulties, the pain and the potential awkwardness.