Last Ocean Tide Lost in Sand

cover of Capricious #11

I’ve got a new story out: “Last Ocean Tide Lost in Sand” is available in Capricious #11! It features an aromantic family, a depressed spaceship and a magical fox all seeking a better life on a planet that’s un-terraforming into contagious, deadly sand. Every person is non-binary, there’s multiple sets of neopronouns, and it’s sort of Space Australia!

The kernel of this story is about a decade old and I was only able to finally figure out how to tie it all together in early 2018 when seeing Sword & Sonnet, so it’s really nice not only to have actually written it, but to have it published as well!

There is also an interview with me in this issue. I talk a bit about “Last Ocean Tide Lost in Sand” and a bit about some weird Australian animals.

Additionally, next month Sharp & Sugar Tooth is being released and you’ll find my short “Red, from the Heartwood” in it! There’s also an aromantic, non-binary family… but none of the other things! It’s set in modern day Perth and features arospec questioning, vegetarian cannibalism, polyamory with both a queerplatonic relationship and a romantic one, and weird apple stuff.

I meant to do a 2018 summary but I ended up too busy in December because I got top surgery!!! It went well and I’m really happy! Dealt with a lot of anxiety about Am I Queer Enough and Do I Deserve This and Can I Afford This, but the recovery so far has had some rough spots I have not for one single second regretted it. (Also I went back to full-time hours halfway through last year and that’s been a rough adjustment…)

Painted podcast

“Kin, Painted” has been reprinted and podcasted at PodCastle! It’s narrated by Julia Rios. If you’ve had a hankering to listen to a story about an aroace middle child of a queer-normative and supportive family trying to find out how to fit into the world and how or whether to paint, well now you’re in luck! Hooray!

It is so wonderful to me that so many people like this quiet little story.

Heartwood

book cover
Sharp & Sugar Tooth
The Kickstarter for Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good (edited by Joanne Merriam and Octavia Cade respectively) has relaunched! My arospec love story “Red, from the Heartwood” appears in Sharp & Sugar Tooth and features a non-binary arospec dryad, who bakes desserts with apples plucked from her own body, juggling her long-term queerplatonic relationship and her new romantic relationship with a woman who’s having a little bit of difficulty with the idea of relationship anarchy. It’s got body horror and good food and weird food and questioning arospec wonderings about romance and puns and getting to know your girlfriend and aroace metamour over Star Trek and, don’t worry, the queerplatonic relationship is still strong and happy at the end of the story. You can read the opening of it here! Please have a look at the line-up and the other sneak peeks, Sharp & Sugar Tooth is looking pretty mouth-wateringly good.

She is, there—amongst the Mango Trees—a Flytrap Garden

Here’s a flash prosetry piece of mine which appeared in Verse Kraken in 2014! The formatting in this inspired me to do “stone”, my twine poem.

“She is, there—amongst the Mango Trees—a Flytrap Garden”
by Penny Stirling

Continue reading She is, there—amongst the Mango Trees—a Flytrap Garden

my touch aversion

I’m touch-averse, though not repulsed. I do not enjoy the vast majority physical contact, it does nothing for me, I have no desire to touch or be touched, I read about skin hunger and I’m just baffled. I don’t feel violated or experience sensory overload or have a physical reaction to being touched, the idea of it doesn’t make me feel ill except when it’s in sexual contexts; I just don’t like it. I’m pretty asensual.

Continue reading my touch aversion

Transcendent is here!

artwork
cover of Transcendent, art by Noel Arthur Heimpel
Transcendent: The Year’s Best Transgender Speculative Fiction has been released into the world! It contains my story “Kin, Painted”, originally in Lackington’s, a gentle thing about queer children growing up in a supportive family, and Our Narrator trying to find a true self and place amongst them. I wrote a bit about it, as well as my gender and ungendered protagonists, here. (Bit funny rereading that; last year feels like only just yesterday, yet also so long ago.)

“Kin, Painted” is the concluding story in Transcendent, and also the inspiration for the cover painted by the outstanding Noel Arthur Heimpel, and I am just all ヽ(゚〇゚)ノ and (⁄ ⁄•⁄ω⁄•⁄ ⁄) and (ღ˘ᴗ˘ღ) at such an honour.

Here’s the full table of contents! Look at that line-up, damn.

You find it here: Book Depository, Amazon.com, Kindle, Smashwords, and Goodreads.

I’m excited to see what future transgender sff anthologies are like, and what K.M. Szpara edits next!

(And remember to check out Lethe Press’s other books and Patreon!)

Transcendent

My story “Kin, Painted” is going to be reprinted in Transcendent: the Year’s Best Transgender Speculative Fiction! At the link you can see the amazing cover, the TOC, and preorder details (with $5 off at the moment). It’s edited by K.M. Szpara and the cover is by Noel Arthur Heimpel which is personally very exciting for me because Noel’s webcomic Ignition Zero has been one of my favourites for a loooong time and to see my name right there next to their art is *__*!!!

I had to be talked into submitting to Transcendent so, uh, self-reject lesson?

If you can’t wait until September then you can read “Kin, Painted” right here in Lackington’s.

reprint & interview

My interactive poem “stone” has been reprinted in sub-Q! There’s other interactive poems, and interactive fiction and games, over at sub-Q which you can check out too!

And I did an author spotlight over at Pack of Aces where I talk about my published acearo characters and how much better my writing life is since I discovered the terminology that described me:

When I was a teen I tried to write characters who were like me. This was before I’d heard of asexuality or aromanticism. All of the characters were broken, like I obviously was, and they were all eventually fixed like I was told I would be. (Perhaps “they were all broken, and they were all eventually broken in” is better phrasing?) They should have been happy endings: the character admitted they were in love, sex was usually implied, hooray, the character is fixed. But they were all off. Stockholm syndrome was common, overbearing and wearing down of wills was common, power imbalance was common. The characters did not choose to fall in love, they didn’t really fall in love; they were pulled into love and sex and held there with a grip that only at a glance looked like a romantic holding of hands. Messed. Up. (But that’s what I thought I saw in books and films and TV, that’s what I thought was the only path for me. There were many stories which horrified me, which people insisted were romantic. He loved her, so it was all right. She ends up saying she loves him, so it was forgiven.)

There was a month dedicated to these author spotlight interviews with various acespec creators and you can check them all out here!