In Aromanticism Pt 1 below I’ll take you through some reasons why you should write arospec characters. In Aromanticism in Fiction Pt 2 I’ll start going into more details about how to write them.
Let’s write characters on the aromantic spectrum!
The crowd shuffles their feet awkwardly.
Look, I get it, okay? Stories without romance in them are boring, nonsensical, a waste of time. Happy endings are just physically impossible without someone getting romantically rewarded. Romance is definitely not ever crammed into films just for the sake of it without paying any mind as to how this might fuck up the rest of the film. Romance is absolutely never tacked on merely because society has conditioned us that a dedicated romantic and sexual monogamous relationship is the peak of all human endeavours.
But you know what?
Aromantic spectrum people exist. Aromantic spectrum characters can exist! They should exist. They can be interesting, they can have adventures, they can save the world, and they can do it all without being alloromantic.
Any single character you can think of: they can be on the aromantic spectrum. Any of them. All of them. All of the characters you think of can be on the aromantic spectrum (and/or the asexual spectrum!)!